Come with me for a second.
So, I’m putting together a new D&D campaign. It’s got everything D&D usually has: orcs, elves, dwarves, dragons, etc., etc. Violence, destiny, romance, epic quests, magic swords, fireballs, and all that good stuff.
In this campaign, though, you can only play one of two classes: Fighter or Wizard
I know that seems arbitrary, but hey, those are the classics, right? If you look back at 1e D&D, there were three classes, Fighting Man, Priest, and Magic-User. Combine those second two into a single class, and you basically get the Fighter and the Wizard.
Oh, and ability scores are rolled straight down the line. None of this “assign as desired” business. We’re old-school. 3d6, straight down the line.
What? Didn’t get a high strength or a high intelligence? Not my problem. You can play a less effective character. Just pick the path with the lesser bad score. The one you resemble *better,* so maybe your character could at least *pass* as a competent fighter or ok wizard. Like a high Dex or high Con Fighter could be useful, and a Wizard with high Wisdom and high Charisma? Fine.
What, you rolled a 16 Dex and an 18 Cha? Um, well, I don’t know what to tell you. No rogues in my game.
15 Con and 17 Wis? No, no clerics either.
No, no, no, let me be clear: No other classes. They’re just distractions. Bastardizations of the core concepts.
I mean, maybe that’s ok. Maybe you like Wizards or you like Fighters. I mean, in a world of only Wizards and Fighters, if you’re a Wizard or Fighter (preferably a decent one), that’s probably cool.
Here are a few more things about the setting:
Culturally-speaking, the only acceptable Wizard school is Evocation, and anyone who picks a different school is considered a lesser Wizard. If you aren’t great with evocation spells or, worse, can’t cast them at all, people WILL shame you. A lot.
Same with Fighters and Battlemaster. NPCs will constantly rag on you about what tricks and feats you can pull off in battle.
Certain races are assumed to be one but not the other. For instance, in this particular setting, most people assume halflings are wizards because they don’t think they have the strength to be fighters. A halfling fighter is generally considered pretty weird. Most people laugh at elven fighters, telling them to stop dressing like strength characters, and most people assume half-orcs aren’t intelligent enough to be wizards.
Also, you can play an Eldritch Knight, but every NPC in the game will get confused and attack you on sight. (You get pretty much the same result from taking any class features or subclasses not in the PHB.)
Sounds fun, right?
I agree. That’s super fun. In fact, all of the D&D I run is going to use this, from now on. (I wonder if I can petition WotC to make this the case with all their game books?)
Wait a second, hold up, where are you going? You don’t want to play in my game?
What if I were to tell you that you didn’t have a choice? Because this is D&D 6e, when the only choices in the game will be fighters and wizards–no other classes. No other options. Just those things.
Why are you frustrated?
(Hold onto that frustration, by the way. It’s gonna be important.)
This is just the way it’s always been: fighting men and magic-users.
Because when you boil it down, isn’t it really just those two? It’s Conan vs. the bad guy cultist of the week. It’s the 12 members of the Fellowship of the Ring plus Gandalf. It’s a guy who solves problems physically, and a gal who solves problems with magic. A girl with a sword vs. a boy with a wand. The male fist and the female somatic component.
Guys and gals? Boys and girls? Male and female?
(Hold up, when did we start talking about that?)
But you know, now that you bring it up, this does seem a little like the gender binary. I mean, if you live in a world of fighters and wizards, and you’re a fighter or a wizard, I suppose that’s cool. In much the same way, if you live in a world of men and women only, and you’re a man (as I am) or a woman, that’s fine, right?
Remember that frustration you were holding onto a minute ago?
IMAGINE IF THAT WAS YOUR WHOLE LIFE.
Imagine if you aren’t a man or a woman, or if you have the stats/equipment for one but you identify as the other, trying to navigate this world, where you have to be one or the other… and most of the time, your choice is made FOR YOU, based not on what you say or how you act but HOW YOU LOOK.
About 1% of human beings are intersex, that is, possessing characteristics commonly associated with male and female genders; intersex people are much more difficult to characterize as male or female, and it’d be silly to even try. 1% is same percentage of people who have green eyes, but we don’t run up to green-eyed people, shake them, and scream “there are only brown and blue eyes!”
No, I’m not trolling you. I’m not trying to upset you. I’m trying to open up your perspective by attaching it to something that’s deeply relevant to all of us–D&D. Gaming. This is a sacred thing we’ve been doing, some of us for decades. You have an emotional connection to it, just like I do. You love it, you value it, and of course you feel uncomfortable when it’s perverted. You argue, you rant, or you walk away.
But in the real world, trans people, enby people–they don’t have those options. If they argue, they get hated on. If they rant, they get attacked. And they can’t walk away.
And they shouldn’t have to. They have every right to live in this world that you or I do–just as all of us have every right to play the games we love.
So maybe next time someone talks about trans rights or fighting transphobia, or about we should be more respectful with gendered language, think about the frustration and irritation you felt reading through this.
Because limitations are shitty, and life is too short to be limited like this.
(No spoilers. I’m going to do my best to avoid spoiling anything, which is tricky, since the movie thrives on secrecy and reveals.)
There’s a moment in Captain Marvel powerfully reminiscent of a moment in another recent geekdom movie owned by the House of Mouse.
It’s cold, it’s dark, all hope seems lost. The hero seems defeated, the bad guy is on the verge of getting what they want, and a lot of people we’ve come to love are in danger.
Then the music swells, the lightsaber veers away from Kylo Ren’s grasp and propels itself into Rey’s hand, and she stands before us revealed for the hero she is. Not because she is powerful (though she is) but because she is willing and ready to claim that power for herself.
Captain Marvel has a similar moment, which profoundly affected me in the theater. It not only captures who Carol Danvers is and what she stands for, but also the whole point of the movie and the entire narrative thrust and power of this character and her story.
This is a story about female power: about controlling it, restraining it, and fearing it. About what awakens it, unlocks it, and strengthens it.
And make no mistake, Carol Danvers is the mightiest hero we’ve seen in the Marvel Universe. I won’t qualify that with “female” hero–there’s nothing about her power that is distinctly female, other than that it is hers, and that makes ALL the difference.
In a way, it is nothing new: we have seen this narrative over and over again, the hero called to the quest, awakening to the power inside them, and finally learning to harness and unleash it. But in almost every case (95%+ of the time), it’s a male character undergoing this quest, and the female characters are secondary. They’re love interests, companions, or wise elders. They might even be heroes in their own right, but they don’t claim center-stage in the story, and even in the rare instances of those who do, usually their quest isn’t about them as women.
Captain Marvel is about a female hero, from start to finish. She faces patriarchal methods of control at every turn: warnings about allowing emotion to overwhelm her logic, for instance, or being chided to smile and insulted when she doesn’t. There’s a whole segment in the movie about struggling to use her power despite literal shackles. Her overall story is about realizing the bondage placed upon her and breaking free. Demanding and claiming her right to go higher, to go faster, and to go further.
A note also about the setting: This is a very 90s movie, full of 90s music that resonates so well with the action as well as lots of 90s jokes that really appealed to a 90s kid like me. From the trailers, I thought it might just be a gimmick, but upon seeing the movie I finally realized WHY Marvel set this movie in the 90s. The cultural context was pivotal to the story and its themes: the 90s wave of feminism and female empowerment, the pressure on military services to accept female pilots and soldiers, all of that is key to making this story make sense.
I do want to acknowledge that this is not a perfect movie. It isn’t entirely ground-breaking: Wonder Woman broke a lot of this ground a couple years ago, so Marvel missed its chance to be first to the punch. But Captain Marvel offers us a different view of female empowerment and heroism than WW did, and both movies are extremely good at what they do.
There’s your typical supply of what, at this point, we can call “Marvel Cheese.” Some of the jokes, some of the slapstick, etc, reminded me of watching a Guardians of the Galaxy movie, and the dynamics among the aliens were very much in that vein. So if you liked GoG (and statistically speaking, you probably did), you’ll probably love the tone of this movie.
There’s the humor you expect, though not always from the people you expect. Clearly, Samuel L. Jackson had a GREAT TIME with this movie. His Nick Fury is surprisingly fun and warm, something he hasn’t been allowed to be in the other MCU movies. Saying more might head into spoiler territory, but some unexpected humor is unexpected but ultimately effective, I think.
(Also, I totally saw Kelly Sue DeConnick in her second-long cameo! Rock.)
Now, because, ugh, let’s talk about this: There’s a whole movement out there by a LOT of dudes who hate women (and especially hate women in their superhero movies) who have a weird fixation on Brie Larson not smiling (I know, ironic, isn’t it?).
At first, her portrayal worried me that she’d come off as relentlessly grumpy or prickly, the way clearly feminist characters sometimes do, but give her a minute, and you start to see the meaning behind her Carol Danvers’s behavior.
She is a woman who has been relentlessly bullied and cowed into being emotionless (as if that’s a strength) and expected to be a perfect little servant who always does what she’s told. Her experiences throughout the movie show her growing, breaking free, and finally harnessing her feelings and the power that comes with them. Her development is emotional, wrought with the aid of friends both male and female, as well as metaphysical.
(Also, all the haters are wrong, and EVS and his Comicsgate minions played themselves yet again by bashing on this movie. What fools.)
Ultimately, Captain Marvel is a great, fun, powerful movie and one that Marvel sorely needed to add to their line-up. That this movie didn’t happen five years ago and the MCU hasn’t put out half a dozen women-led films since is kind of a shame, but at least it’s here now, and it sets a precedent for the universe going forward.
The future is here (well, the future by way of 25 years ago), and while that future may not be entirely female, it is female-led, and that is a hopeful, marvelous thing.
I am a storyteller.
My creative voice and vision are key to my identity, and they are the engine that drives my life.
For sixteen years, I’ve published my own creative work, mostly fantasy and science fiction, mostly novels but also short stories and novellas.
I’ve worked in others’ sandboxes and my own: five of my novels take place within an existing IP (the Forgotten Realms, owned by Wizards of the Coast), five are totally creator-owned (Eye for an Eye, Scourge of the Realm, and my World of Ruin series), and one was written originally in a shared IP but is now creator-owned (Blind Justice). I am adept with both sorts of writing.
I’m a known commodity in the tabletop gaming industry, and have an array of credits to my name on such games as Dungeons & Dragons, Iron Kingdoms, Red Aegis, and others.
I’m also a lifelong gamer, on the console or computer or tabletop. I’ve run games since 5th grade, and my first creative writing exercises drew directly from those experiences. Unsurprisingly, my favorite games tend to be RPGs and action-adventure games.
I’m not a coder or a programmer.
I’m a writer and an editor.
I’m an ideas person. I have built dozens of worlds myself for my own use, and I’ve worked closely with others to build worlds, flesh them out, describe them, and bring their stories to life.
Dialogue, description, characterization, plot—all of these things are the fundamental building blocks with which we convey dreams from one mind to another.
I’m a Human Being.
I care deeply about my fellow human beings and the environment we live in. I advocate strongly for social justice and a progressive direction to our culture and politics. I will stand up and defend those who are under assault as best I can.
I believe in good and justice and kindness.
My work is built on a foundation of respect, representation, and truth. I know the power of my voice, and I will not shirk the responsibility that comes with it.
Let’s explore this world together.
In 2019, I’ve decided to try and post a bit of Gaming Mastery every day of the year. That’s 365 tips, all of them organized around a monthly theme.
January’s theme? The basics of running a game.
And we’ll start with the most basic of basics for Game Mastery: