Iron Fisting, pt 1

So I’m currently watching Marvel’s IRON FIST, and I haz the thoughts.

I write this review while I’m watching Episode 4 (spoilers for that far), having seen the previous three. I will watch more. Read on to find out why.

Iron Fist: Marvel’s participation in the kung-fu craze of the 70s, translated into today’s world

Let me preface this by citing my own biases: I’m a pretty big comics fan. Within the fandom, I’m probably only considered minor, but I’ve read a lot of comics and know a lot about Marvel’s principal gravy trains. I’ve seen all the Marvel movies, most of them several times each, and more importantly I’ve caught the majority of the references and know what’s going on. I know very little about Iron Fist, however. I’m pretty neutral as regards the character, much like Luke Cage (if I go back and do a review series about that show as well). Haven’t read many of his books or thought much of his crossover appearances. So I’m not coming into this with any particular biases for or against the character, nor do I know much about his supporting cast and rogue’s gallery. This allows me to watch the show without preconceived notions.

I’d also like to acknowledge the review work that has already been done here. There are a lot of critics out there who have disparaged this show for a lot of reasons.[1] There is an important conversation to be had about the problematic ways this show deals with race, orientalism, and the white savior trope, all of which arise from the subject matter and are carried over into the show to some extent. This review entry will not address those in detail, as I haven’t watched enough of the show to present a full opinion on those subjects. In the meantime, there’s lots of reading out there to be done regarding cultural appropriation and the racial politics inherent in IRON FIST.

I’ll get into all that later. For now, I want to talk about the characters and structure of the show, trying to table those major issues for the moment. I have made an effort to watch the show without all of that in my head and just judge it on its own merits.

The result? Kind of a mediocre show that’s just kinda there.

It follows the Marvel Netflix structure pretty well. It follows multiple characters, it uses brief flashbacks that only make sense as you watch the show, it explores multiple themes, it could use more lighting, etc. But for some reason it’s less compelling than other Marvel Netflix shows. It’s ok, and you might really like it, but it’s just not up to the same level as the other Marvel Netflix shows.

Why?

I’ll watch more of the show, but so far, I’m not particularly impressed. The writing is not great–it lacks the sparkle of previous Netflix Marvel shows. The acting is mediocre and some of the scenes could use better direction. The fight scenes are just ok. They do look more like the unglamorous but efficient reality of martial arts–more about holds and leverage and knowing how to move than brute strength. But this is TV, and *superhero* TV at that, and I wouldn’t mind seeing it taken up a notch. I mean, the DAREDEVIL fights were brutal and realistic and great. Compared to those, IRON FIST’s fight scenes are just kinda meh. Think of the DAREDEVIL corridor fight in season 1, episode 2 and the stairwell fight near the beginning of season 2, compared to the fight scene in IF episode 4. It doesn’t feel as epic or immediate or powerful.

As a fantasy writer, I wouldn’t mind it all being a little more fantastic.

But my main problem is, there’s just nothing to latch onto.

In DAREDEVIL, we had Matt’s pathos and drive to punish the wicked, assuaging his own guilt (survivor’s guilt, catholic guilt, lying-to-my-friends guilt, all the guilt). In JESSICA JONES, it was all about trauma and the fallout of sexual assault (something TV/movies almost never deal with). In LUKE CAGE, it was the racial tensions of his situation and the struggles of being black in America.

What do we have in IRON FIST? A clueless white boy who wanders around hoping things will work out for him, and they generally do, because why wouldn’t they? He’s a good-looking white boy, even if he’s an example of a monk character with a low charisma. He’s rich, or at least should be, which he ostensibly doesn’t care about but hires Jeri Hogarth (yay!) to fix for him. What’s he fighting for? What’s his purpose? He says he’s the sworn enemy of the Hand and the dedicated protector of K’un-Lun, but we know almost nothing about that city or that story. When is this show gonna throw us a bone?

This is like reading a book that you think *might* get good, but is just a tedious slog for the first hundred pages or so.

About the Characters:

Finn Jones as Danny Rand is ok, but the material he’s working with is pretty generic. He isn’t Arrow (and that’s good, because he lacks Amell’s charisma or physicality)–his character is much less driven, less in control of himself or his surroundings, etc. I understand that’s part of where he’s coming from (Zen? Buddhism? Some sort of eastern philosophy, the show can’t seem to decide.), but he wanders around the set like he’s some Calvin Klein model on rumspringa. When he interacts with Joy and Steve[1] Meachum, he’s clueless, graceless, and just expects everything to be fine. Yes, maybe that’s the philosophy he comes from, but as pasty and handsome as Jones is, this just comes off as rich white boy entitlement. (And I’ll bet Marvel never addresses this.)

Finn Jones as Danny Rand, the Iron Fist, aka white boy *really* into tai chi

And it’s really weird that Rand would be an entitled white boy, because he didn’t grow up that way. Jones doesn’t have the sense of calm and presence that he needs to come off as believably steeped in eastern mysticism or Buddhism. I don’t want him to be some sort of stereotype, but I want him to bear the mark of his experiences, not look like he spent the last weekend at a yoga retreat + tai chi in the mornings.

And then, when he interacts with the amazing Henwick as Colleen Wing, where he just starts talking to her in Mandarin (which to my untrained ear sounds like they at least made an attempt) or all the bowing or questions her martial arts skills… It’s unclear if he’s really trying to be respectful or if he’s making fun of her. And she knows it, too–you can see it in her face.

(Is this what racial minorities deal with all the time from well-meaning but clueless white people? Spoiler alert: it kinda is.)

I think this is a writing mistake. I think the writers did not consider any of these issues when they crafted this character. Because there are so many ways they could be addressing this, but they aren’t doing that.

Maybe it’s the hair. The messy mass of gold curls has got to go.

Or maybe it’s his tendency to talk down to everyone and ignore their “no thank yous” or just plain “no.” He doesn’t respect anyone’s consent, iron fists his way right through boundaries, he’s somehow above everyone in his own mind, and pretends it’s all him being kind and/or respectful. Rather than coming off as respectful or humble, he comes off as an entitled jerk.

I do appreciate that Jones seems human and disoriented. He’s obviously suffering from severe culture shock, though I’d like to see them play that up more. Have him go into a department store, look around, and just go “why?” Why so much excess? How do people live like this? Marvel could really play this up. We’ll see if they do.

We get a healthy dose of “cruel mental hospital” in episode 2, and it does make us start to wonder whether Danny is really Danny, just like everyone else wonders. You know, after “the Incident,” I’d expect people in the MCU to be a little more credulous when it comes to super powers and mysterious backstories. But I guess it’s reasonable.

Colleen Wing is my favorite character thus far. Not surprising, since the Daughters of the Dragon are great in the comics. Can’t wait until she catches up with Misty Knight.

She’s beautiful, obviously, but she’s also tough, independent, and has more of a moral compass than most of the other characters. She’s way more grounded than Danny with his hippie zen white boy act. And she’s gonna be a great martial presence in the show, assuming Marvel doesn’t frat-boy out and make Danny her savior at every turn. Also, the little nods to her white costume from the comics are pretty great. (The more that happens, the better as far as I’m concerned–episode 4 is very rewarding in that respect.) She’s also not exoticized but allowed to be the cool American young woman she is whilst maintaining her very specific philosophies.

Her arc is thus far about remaining true to herself. Adhering to a code of conduct and behavior based on Bushido vs. the needs of the living in the real world, like money to run her business, etc. We see this when Chris[2] Meachum tries to bribe her to lie on a form to get Danny committed, and then again when she goes to an underground UFC fight, despite telling her students that fighting for money is dishonorable. I’m interested to see where this goes.

Colleen Wing aka the Daughter of the Dragon, scrappy martial arts instructor, and basically the person carrying this whole show

It’s unclear what ethnic heritage Colleen is supposed to have in the show. In the comics, Colleen is a red-haired Japanese-American, having a white father and a native Japanese mother. Henwick is from Singapore, so at least she’s East Asian, but it’s unclear how the show is intending to present her. Danny started speaking to her in mandarin as soon as they met, suggesting he read her as Chinese, but she corrected him pretty quickly and asked him to “speak English or Japanese–I haven’t spoken Mandarin since I was a little girl.” Which suggests she’s fluent in Japanese, which is also the source of the martial arts that she teaches at the dojo (near as I can tell–their exclamations were Japanese, and their prayers in episode 4 are Japanese). And–and here’s the big one–she is all about Bushido, which is the code of honor followed by samurai, who are distinctly *Japanese*, not Chinese.

A Chinese-American fluent in Japanese and only passable in Chinese, who holds herself to the code of Bushido (a Japanese philosophy)? Sure. That’s possible. But I also know TV and films have a tendency to look for “Asian” in their actors, and not be a lot more specific than that.

The part in episode 3 where Colleen spars with Danny is interesting, but probably not in the way Marvel intended. Yes, he’s kind of mansplaining/whitesplaining martial arts to her, but it could be that he’s just talking about a different style than her own, and he’s teaching her. The optics of that aren’t great (white dude better at martial arts than Asian lady! Yay!), and he’s being hugely presumptuous. Which kinda fits in with his “I grew up in a monastery for 15 years and have no social skills of any kind.” But that’s no more an excuse here than it is on Twitter. If a guy is disrespectful to a woman, “he’s awkward” isn’t an acceptable excuse. And Wing did indeed call him out on it, albeit indirectly–she showed him the door–though he managed to weasel his way into her good graces for plot reasons. Obviously, she is fully within her rights to forgive him for being a clueless dick, but I’d like to see Danny come to terms with how inappropriate his behavior often is, and make efforts to make amends. The chances of that seem low, but it’s always possible.

If anything is going to keep me watching this show, it is gong to be Colleen Wing.

On the Meachums:

These are pretty interesting villains. Joy is caught in the middle of it all, though I’m expecting a heel-turn at some point. She reminds me of Laurel from Arrow, mostly because of the hair (I don’t know what it is about haircuts in this show) and because Danny is constantly mooning over her the way Oliver does Laurel. I’m not sure if Joy’s going to be a love interest, but he’s really committed to her. And she twists him around her finger like it’s no big thing.

(Note: See footnote 2, but I’m apologizing in advance for any confusion raised in using multiple names for Ward. The show also confused me, and I’m making a point here.)

Her brother Chet[2] is a cartoonish bully type, but at least we’re seeing some of the reasons for his behavior and outlook. Barron Meachum boasts one of the most punch-able faces in all of these Netflix Marvel shows, and I am very much looking forward to Danny punching him right in the kisser. Or maybe Colleen Wing, which would be even better.

Their father Harold Meachum is intriguing as a behind-the-scenes Kingpin type, and I’m wondering about his moral dimension as well.

Ward and Joy Meachum–spoiler alert, they’re the bad guys

Mostly the value of these characters, as I see it so far, is the discussion of bullying and the ongoing cycle of violence. Trent bullies Danny, Grant is bullied by his father Harold, who was in turn bullied by his father, and probably his before him. It’s the whole fratboy mentality: violence is learned and passed on to the next generation. When will the cycle end, one is led to wonder? Are bullies redeemable? I mean, I’m not invested in Chaz being redeemed–that guy is a major asshole–but they’re setting this up as a useful side story.

Also, yay for Jeri Hogarth and Madame Gao!

Well, I’ll keep watching. You might like it as well.

Cheers,
Erik

[1] A friend of mine recently said that Iron Fist is worse than any superhero movie or show he’s ever seen, including Green Lantern, which is fighting words. 🙂

[2] I know his name is Ward, but he’s such a generic white rich corporate frat boy bully villain that I was initially confused about what his name was supposed to be, even when they’d just said it thirty seconds before. There is nothing that stands out about this character. He’s just “mean entitled white boy.” And so I find myself giving him a succession of such names. See also: Donald, George, Mike, and Dick.

Further reading:

http://io9.gizmodo.com/it-actually-really-really-sucks-that-tv-s-iron-fist-is-1762435382

http://www.cracked.com/blog/how-iron-fist-killed-marvels-winning-streak/

Don’t miss my “Iron Fist is an Entitled White Boy Jerk” series:
That makes it sound like I hate this show, which isn’t the case, but there are things that grate on me. Final review to be written once I finish it.

Is the World of Ruin epic fantasy?

From The Toast

There’s this quiz going around, and I thought I’d apply it to the books….

1. The Elders would like a word with you. – No “elders” in the World of Ruin. Circle of High Druids, yes, but they prefer actions to words. #MaskoftheBloodQueen

2. The Ritual is about to begin. – If you mean ritual combat, then yes.

3. Something that has not happened in a thousand years is happening. – Doom happens in the World of Ruin on the order of every 5 or 10 years, actually.

4. You are going to the City. There is only one City, etc. – There’s only one civilized mage-city left, yes, but everyone calls it Tar Vangr, or the City of Steel, or the Winter City.

Also, put a shirt on, it’s cold outside. 🙂

5. Certain members of the Council are displeased with your family’s recent actions. – Most of my heroes are orphans. They make their own family.

6. A bard is providing occasional comic relief. No one hired or invited him. – Comic relief? In the World of Ruin? Yes, but no bards.

7. The High Priest is not to be trusted. – No priests to speak of. The Gods died or fled long ago.

8. Someone is eating an apple mockingly. – Have to remember to put this in book 4.
9. There is one body of water. It is called the Sea. The Great Sea, if you are feeling fancy. – The Grey Sea, but yes, this one.

10. You live in a region with no major exports, no centralized government, no banking system, a mysteriously maintained network of roads, and little to no job training for anyone who is not a farmer. – Nope, most of those places in the World of Ruin have been trampled by barbarians.

11. You have red hair which you wear in a braid. Your father was a simple man, etc. – Ovelia and Garin both have red hair, and either occasionally braids it. Their fathers were anything but simple, however. #LoveTriangle #KingsShield

That’s Ovelia. Her hair looks pretty loose to me.

12. You’re going to have to hurry or you’ll miss the fair. You never miss the fair. – Ah, for happier times, when the mage-cities held fairs.

13. There is trouble at the Citadel. – Well, there’s often trouble at the castles, which tend to explode with some frequency.

14. Your full name has at least one apostrophe in it. – Thankfully I ducked that in this series.

15. It is the first page and you are already late for something. – Five years late for your own death, Ovelia. Oh and your mother won’t be dead by page 42—she’s been dead for nearly 40 years. You killed her.

16. There are two religions in your entire universe—one Islam, practiced by villains, the other “being a Viking.” – Civilized folk in the World of Ruin may worship lost gods (each city has a patron deity) but usually don’t. Barbarians worship Ruin herself, who has nothing to do with Islam or any other religion. That faith is mostly “bring death to those too weak to resist.”

17. There are new ways in the land that threaten the Old Way. – The Old Way died out when the World of Wonder magically nuked itself. I *wish* we could practice the old way.

18. The real trouble began the day you arrived in court. – Well, that *is* how Shadow of the Winter King ends . . . #regicide

Take me to your leader, that I might KILL HIM.

The Self-Inflicted Tragedy of the Alt-Right

This is such a good piece about the sad, blissful ignorance of the alt-right–and the rude awakening they are having:

On the Milo Bus With the Lost Boys of America’s New Right, by Laurie Penny

As a young man, I thought I understood the world, and I was angry and selfish and self-righteous. I could have been one of these lost boys, but I eventually chose empathy, not hate. I met people with different perspectives and backgrounds than mine, and I respected them as teachers, rather than dismissed them as threats. I chose to grow up.

I cannot help but be saddened by this. Not out of sympathy: these pathetic man-children have chosen their path, whether out of ignorance about the consequences and/or desperation to cling to their unearned privilege. No, I am saddened out of empathy. I feel their desperation and their hurt and their overriding confusion, because I have known these things. But where adults can confront these things and find a way to live with them, the alt-right simply rejects them and refuses to participate, to their downfall and the detriment of us all.

Most of us climb the mountain of adulthood: a perilous, tedious journey, at times easy and relaxing, at times steep and smooth, at times slick and treacherous, at times seemingly impassible. We keep at it, working to find alternative routes, and we reach down to help those who are struggling to climb below us. Some people have better equipment with which to make the climb, or an easier route laid out before them.

By contrast, the alt-righters jump right off the cliff the second it becomes even remotely challenging. They think someone saying something even remotely negative must be a true test, because they have never faced anything like real persecution or oppression. They never even get to the hard stuff, and thus they forgo the added strength and stamina that comes with challenge, much less the rewards of having conquered the mountain. They stand there at the base of the mountain screaming invectives up at us, because they don’t have the self-respect to try and climb.

They entertain fantasies about what life will give to them, but they don’t have the skills or interest needed to work for such things. They stand for nothing and have nothing. They have chosen lives that mean nothing.

These awful people are damaging themselves and damaging our country. I can see the shared parts of the path we walked, and thankfully, where we diverged, I chose the right path, while they took the alt-right path: perhaps less traveled by, but for a reason. Because it goes nowhere good.

Their chosen path way leads not to freedom (from consequences, from responsibility, from aging), but to oppression (of the less powerful, of everyone, and ultimately of themselves).

They are lost, and if they are fortunate enough to have the skills needed to find their way, they don’t bother looking. Instead, they just languish in their ignorance, expecting the mountain to bow down for them, so they don’t have to exert themselves in the climb.

That isn’t how life works, and by the time they learn that, it will likely be too late.

The REAL White Wolf

Minor Witcher 3 spoilers:

So I’m early on in playing the Witcher 3 (great game, etc), and I’m doing this quest called “Precious Cargo.”

In White Orchard, Gerald runs into this “merchant” with a bow who claims monsters spooked his horse, which ran off the road into the swamp. He’d like it ever so much if I found a strongbox on the lost cart and returned it to me. And he’ll reward me.Fine, it’s what I do.

Head into the swamp, kill some drowners, did the cart and a dead horse. Only I *also* find a dead cart driver with an arrow through his neck. I grab the strongbox (covered in human blood) and head back to the bowman, er, merchant.

I tell him he’s a terrible liar, and clearly he killed the cart driver himself, and he tries the whole “look oh behind you” trick, complete with shifty eyes. Geralt being Geralt, I don’t bat an eye but instead cross my arms and say “there’s nothing behind me. I’m a Witcher. I’d have heard it. Just like I can hear your heart pounding. Like a liar’s.” He runs off, and it’s set for a kind of cool horse chase scene.

Only here’s the thing: when the cut scene is over, I’m suddenly being attacked by a pack of wolves! They’ve surrounded me, and by the time I cut them down, the bowman has made good his escape.

Well, that's just great.

Well, that’s just great.

So maybe those Witcher senses aren’t all they’re cut out to be, because apparently there WAS something behind me.

O.o

Was that archer the REAL White Wolf?

Cheers

Forgotten Realms: Modern

One of these days, I intend to run a Forgotten Realms: Modern campaign, which is set in 2010s DR, more than five hundred years after all the events of the setting we’ve seen thus far.

Nations like Cormyr, Thay, Luruar, and the Sword Coast States exist in a constant detente–a delicate balance of power, much like our own world and the FR we all know and love.

Magic mostly exists these days as fuel for transit and basic life support (heating homes, growing food, etc., like how we use oil in our modern world). There are plenty of people who claim to be wizards, but most “magic” wielded by people comes in the form of limited use items or sleight of hand. Most adventurers are martial types, though there are still monastic traditions.

The gods are by-and-large absent, outside of some odd cults that believe in ancient stories. There are several world religions, which all worship a female divine figure who has various names, but she tends to be pretty similar in the various religions.

The folk have, by and large, forgotten the realms of wonder . . . until a young woman with raven hair manifests silver-white fire from her hands, and magic returns to the Realms.

You in?

Rise to This – Jan 2017

So we’re less than 12 hours from the inauguration of the worst president in American history, and here’s the thing.

It’s not about him. I don’t hate Trump. I pity him. Same for those who support him–and particularly those he will pay back with pain and suffering. Yes, all 60 million of you. But don’t take my word for it. You’ll see soon enough.
And the only people in government who will be fighting to help you? The democrats–assuming they get their act together.

A lot of people out there saying “you’re just whining because we won, liberals!” But the fact of the matter is, there is no “we.” Trump won by suckering you, and if you aren’t one of his cronies or a millionaire, you lost. And again, you’ll see what I mean.

(You voted against your own children. That, I’ll never understand. Sigh.)

I’m neither whining nor liberal. This is the man our screwed up electoral system picked. Despite his many cries of it being rigged against him, the system elected him. It shouldn’t have, but it is what it is.

It’s not about Trump. 

It’s about us.

Now is the time to rise up and protect ourselves and those less fortunate than ourselves. Trump is coming for our rights, our economy, our non-white, non-male, non-rich, non-straight, disabled, and/or minority neighbors. If we can protect them, we have the responsibility to do so. Not just the ability or privilege, but the responsibility.

Because with power comes responsibility.

We have a duty to rise to this.

The world sucks sometimes, and that’s when we need to rise to the challenge. 

And for those who listen but don’t hear me–because you think it’s ok, or Trump will help you, or that you won something–well, you’ll see soon enough. And when you’re ready to join us in resisting this tyrant con man and his posse of thieves and rapists, then you will be welcome.

And maybe I’m wrong. Maybe it’ll all work out for the best and my fears are entirely unfounded, despite everything Trump has said and done throughout his life. And really, I hope I am. But until I’m proved wrong, I will stand vigilant and I will protect my rights and those of my neighbors. Because I’m an American and that’s what Americans do.

To all, stand up, keep moving, protect yourself and your rights. Don’t give up.

Rise to this.

Existential Morality: No God Required

A little bit of religious philosophy for your Monday.

Often, I come across the argument, advanced by theists (i.e. people who believe in one or more divine beings, usually in an American context we’re talking about Christians), that morality is somehow contingent upon the existence of God. Basically, if God doesn’t exist, then there’s no reason to be good–in fact, “good” and “evil” aren’t even real things!

Let’s give this some simple examination.

Theistic Moral Argument:

“God has to exist, because if God doesn’t exist, then we have no standard for morality! It’s all down to individual preference, and what’s to stop people from indulging their base impulses? If someone’s attracted to a child, why wouldn’t they act on those urges? What’s to stop people from murdering each other?”

The logical response:

So let me get this straight: are you saying that if you ever determined that God doesn’t exist, you would become a murdering, raping psychopath?

Because I wouldn’t.

And while that might not be what you’re saying, that’s what the above theistic moral argument entails: that without God, there is no standard of morality.

And that’s just not true.

It’s a logical fallacy called “begging the question” (i.e. assumes as a premise what it’s trying to prove). It assumes that God is the only source of morality in human experience.

And that’s a pretty empty way to look at the universe.

My morality doesn’t require the existence of a divine being to hand it down to me.

So where does non-religious morality come from?

Logic and reason are more than enough to figure out morality, and my morality starts with this:

Do no harm. Ask for consent. Respect others’ autonomy and basic humanity. Do good.

I think we can all agree that these are pretty standard moral principles. Does one really need them printed in a holy book?

How did the Greeks, for instance, establish morality? They’d never heard of the Christian God (predated its very conception, in fact), and their own concept of divinity was hardly morally perfect. They believed in deities that were great and powerful but also venal and fallible.

And yet they had concepts of justice and goodness vs. cowardice and evil.
And how are there good people in the world who don’t believe in God? Or people in the world who DO believe in God but still do evil things?

Thinking that a divine being must be the source of morality–or worse, a *particular* divine being–is a foolishly reductive argument. It’s also dangerous, because if you build no solid moral system for yourself, then when you have a crisis of faith (and we all do), then you will have no guiding principles.

Tying morality to religious doctrine is a recipe for societal ruin.

My Personal Context

And to clarify: I was raised in the United Methodist church and currently identify as a Christian agnostic.

Not because I’m not sure whether God exists, but because it’s ultimately not relevant.

One should live a good life, being good to others and doing right by humanity, whether God exists or not.

One shouldn’t do good things out of the hope of a reward (that’s a hollow, selfish reason to do good) or avoid doing evil things out of fear of punishment (that’s a hollow, selfish reason to avoid doing evil).

One should do good things and avoid doing evil things because it’s the right thing to do, because the world becomes a better place for all when we do good and avoid evil.

What if I’m wrong?

So what if I’m wrong, and there is indeed a god who disapproves of the way I live my life, and I end up condemned to some eternal torment?

Note that this god 1) refused to clarify exactly how to live in accordance with divine will, so as to avoid eternal torment (seriously, there are thousands of options out there—a loving god couldn’t have pointed out the right one, if it was that big a deal?), 2) continued to allow humans to live in constant fear and anxiety about existence, 3) throws people into hell because they didn’t do what they didn’t know to do.

I don’t know about you, but I’d define that god as an evil god—which is pretty far from any reasonable conception I might have—or at least as a vapid, ineffectual deity at best. A bad, alcoholic parent, who inflicts a radically elevated punishment for comparatively small slights you didn’t even realize were bad. Hardly a deity worthy of worship.

And, here’s the thing. I still lived a good life, doing good to people and to the world. If a god is going to condemn me for that—especially after not telling me the right way to do things—then there was no realistic way I could have avoided my fate. If I’m doomed anyway, then at least I did something good and useful with my life.

Cheers,
Erik

Further reading: https://en.wikipedia.org/wiki/Secular_morality

Rise to This: 2017

Last year was an awful year.

This? This is a new year.

It’s yours. Make the most of it.

Create. Absorb. Learn. Adapt.

Strive. Struggle. Achieve. Fail.

Examine your faults and your perceptions and your preconceived notions.

Fix your shit.

Get knocked down. Feel the earth beneath you. Then get back up.

Seize this year by its horns and refuse to go quietly.

Rise to this challenge.

Be safe and stay the true course.

Do what is right.

Rise to this.

Cheers,
Erik

Secret Liaisons: A SotB story

I’m writing a story for an anthology on Kickstarter right now, called SISTERHOOD OF THE BLADE: a set of Three Musketeers-era stories that adds three awesome women to the intrigues and adventure of 17th century France.

sotb-cover

Sisterhood of the Blade (Now on Kickstarter!)

 

How best to advertise it, you ask, other than just tell you that awesome premise?

Here’s the first part of my story for the anthology!

#

Secret Liaisons

By Erik Scott de Bie

Padgett was drunk.

Specifically, she was the kind of ill-mannered drunk that gave rise to the sort of ill-conceived words, ill-tempered actions, and ill-timed observations that quickly exacerbated delicate situations.

She knew this about herself due to experience—she’d grown up around soldiers, after all—and because all of those ill-fated things had befallen her over the last hour. Hence her exile from Salon Delorme and into the alley, there to cool off and ponder the folly of her course.

Mon dieu,” Padgett said under her breath, the words slurred into some intoxicated monstrosity that was anything but godly. “Whatever came over you, you silly little girl?”

“Eh,” said a voice near at hand. She saw a flushed, elderly man dressed in filthy rags near the back entrance to the Salon. She’d not noticed the beggar at first, but she certainly saw him now, including the half-empty bottle of dark red wine he extended in her direction. “Mademoiselle, si vous plais.

Merci beacoup.” She accepted the wine with a little nod. The wine was thin and tart and did little to relieve the churning frustration in her gut. Padgett cursed herself again. “Stupid, stupid, stupid!”

To his credit, the beggar declined to address his newfound companion’s inward deprecation and instead took back his bottle without a word. They shared a companionable silence for a moment, while Padgett mourned her misfortunes with a series of quiet lamentations and castigations. After another swig, the beggar handed her the wine with a gesture that made it clear she needed it more than he did.

This, Padgett swore, was the last time she would drink quite so heavily when—

The back door of the Salon flew open with such violence it struck Padgett painfully in the shoulder and knocked her staggering into a puddle. She spilled most of the wine, partly on herself.

As she got her bearings, down on hands and knees, Padgett watched as a group of men flooded out of the doors and hurried past her down the alley. There were six of them, all clad in obscuring cloaks and feathered hats against the mild Paris rain. Two at the front led a third, who was bent over, head down, wrapped head to toe in cloth to obscure his face, while three took up the rear. Men of arms and action, Padgett realized: one passed close enough for the hard leather scabbard of his sword to brush her leg.

Padgett couldn’t say why she shouted after them. Perhaps it was wounded pride—though falling in the puddle couldn’t be worse than what had come to pass in the Salon—or perhaps simple frustration. Perhaps she was itching for a fight. Regardless, she called after them angrily.

“Ay!” she said. “Ay, I see you! Don’t think I didn’t!”

Padgett didn’t expect her shout to work, but the group of cloaked men abruptly halted and exchanged looks and quiet words. The two escorting the stumbling, drunken man between them continued on their way, while the other three turned back toward Padgett, their expressions hard. She got a better look at them now: poorly shaven faces, low-class clothes, but each of them armed, hands on the pommels of their rapiers. The way they moved bespoke bladework training, and it set her immediately on her guard.

No simple patrons, these. And outnumbering her. And she without her sword.

Padgett spread her hands. “Now now, no quarrel, si vous plais,” she said. “Nothing meant by it, monsieur et al.”

The lead man stopped and looked down his nose at her. “What is that, a woman?”

The others snickered. Padgett realized she’d left her coat hanging open to her well-muscled belly, and she fumbled it closed with a scowl. Her fiery red hair had pulled loose from its bun, too, from the locks hanging in front of her face. The good lord had seen fit to endow her with an annoying set of features that tended to complicate things. She’d never really understood why breasts made so many men take her less seriously. Their problem—not hers.

“I shall forgive your indiscrete tone this once,” Padgett said. “You have the honor to address Padgett of the Sisterhood. I’d stand down, monsieur, were I in your boots.”

Her implied threat fell on ears hardened of hearing by many years of masculine bravado, no doubt. “Pagette?” the leader asked. “Little servant girl, non? What do you serve?”

“Padgett,” she corrected. Like as not, the nuance was lost on these knaves. “Last chance. Stand away.”

The leader barked in mirth. He had a braying sort of laugh, like something between a hyena and a mule. Padgett didn’t like it one bit. Her mind was running through how to put all three on the ground.

“Henri,” said a second of the men. “Stop playing with the strumpet and let’s have done.”

Bless him, the beggar got up in some misguided chivalrous effort to protect her. “Non—”

The third knave drew and ran the old man through in one smooth motion, silencing his protest.

Padgett uttered a strangled protest. The blow had fallen so suddenly it caught her by surprise, even as she had assessed their skill and training already. It was the drunkenness that had slowed her, and she tasted bile at her oversight. Damn.

Not again.

She started shrieking her head off, startling all three of them.

The lead knave opened his mouth, no doubt to address her obvious hysteria, and Padgett grasped his sword even as she smashed the mostly empty wine bottle across his face so hard it splintered the dusky glass. She’d aimed for his temple, but fell short and instead split open his cheek in a shower of blood and spit. He fell aside, gurgling a moan, and she let his momentum pull his sword from its scabbard and into her hand. She discarded the remains of the wine bottle and raised the sword to face the other two, mind racing.

The sudden fury of her assault gave one of the knaves pause, and so he was half a breath behind his companion in reacting. Padgett stepped to the side, closer to the man rushing toward her. He was the one who had killed the beggar, so it didn’t surprise her that he was fast on the assault. Stronger than her. Faster. Superior reach and armament: rapier and poniard, good for parrying.

Still screaming, Padgett waited until just the right moment, then fell low to the pavement and set her borrowed sword in a long stop thrust. She landed with unexpected grace, considering her level of drunkenness, and her attacker was too close in his overconfidence to pull aside. The sword sank into his belly, and he blinked down at it, startled. Falling suddenly silent, Padgett seized the opportunity to push his sword out of the way and shove him away with one booted foot. He slid off her sword to lie wailing and groaning on the cobblestones as she faced the third of the knaves with sword at the ready.

“Remember,” she said to the third man, slightly hoarse from all the screaming. “I gave you a chance.”

It was then that the man with the mocking laugh tackled her quite unceremoniously against the wall across the alley from the salon. The rapier clattered from her fingers and she fought to keep his hands from her throat. She’d deprived him of his arms, but his big hands were quite sufficient as they pummeled her sides and clipped her head. She dodged only by chance and accident, then turned her head when he drooled blood all over her face. She couldn’t bring the sword to bear. The last knave on his feet was stalking toward them, sword singing into his hand.

“Cut me, will you?” the leader asked, his voice garbled through gore and missing teeth. “You hellion!”

Dimly, as his hands shoved through her toward her throat, Padgett saw the door of the salon opening.

“Hellion? Moi? Non.” She nodded over his shoulder. “That’s her.”

Adina smashed the basket hilt of her cutlass across the side of the armed man’s head, sending him staggering. He flailed with his sword, but she stepped in with brutal efficiency, knocked aside his clumsy defenses, and raked it in a rising slash across his chest and the side of his throat. Blood splashed and he tumbled away from her, choking and dying.

Padgett waited half a breath until the man with the torn face looked away, then smashed her knee hard into his midsection. He fell back, gasping for breath, and she climbed awkwardly to her feet. Her uniform was a muddy, rumpled mess, but she gave it a brief brushing down.

“Took your time, non?” Padgett asked.

Adina shrugged and offered one of her big, infectious smiles. “Scream louder next time,” she said in her warm West Indies accent. “Don’t think they heard you in Versailles.”

Padgett bristled. “I’ll make you scream.”

Adina quirked an eyebrow, and Padgett blushed furiously. Not what she meant. How did she do that? Pirates.

The leader with the torn face scrambled to his feet, seized the fallen rapier, and stumbled down the alley toward rue de la Ferronnerie. Padgett and Adina shared a nod. The two women turned as one toward the mouth of the alley to pursue.

They needn’t have troubled themselves.

A third woman stepped out into the mouth of the alley, and her appearance stopped the fleeing man as surely as a blast of horns. Indeed, the faint cries and laughter of nearby buildings and even the patter of rain seemed to grow quiet as she absorbed all sound into herself. She wore her pitch-dark hair after the fashion of Parisian noblewomen, but there the resemblance ended. She had a distinctive appearance: chiseled cheekbones, severe lips, and dark eyes that were the envy of the city. Under her fur shawl, her clothes were of an eastern style, embroidered with beautiful golden and silver designs, and even though the hem trailed around her slipper-shod feet it never seemed to attract the city’s grime. She bore a gracefully curved sword in a beautiful black lacquer scabbard, the wrapped handle of which she laid graceful fingers upon.

She needed no words to stop the man—only one steely dark glance. He stood trembling, reclaimed rapier shaking in his fist.

“Yield,” said Madame Aimi Marlette in her sweet, musical voice. “And you shall be shown mercy.”

Before he had the opportunity to respond, Adina smashed the back of his head with the pommel of her sword, and he collapsed senseless to the ground.

Aimi looked up at them with distaste. “He would have surrendered,” she said.

Adina shrugged. “Now we’ll never know.”

“At least we didn’t kill all of them,” Padgett said.

“You say that like it’s a good thing.” Adina eyed the fallen man with a predatory gleam in her eye.

Padgett stepped between her and the prisoner. “The prize is safe in hand, milady?” she asked Aimi.

Aimi nodded. She was a master at hiding her emotions, but Padgett caught a hint of distaste in her expression before her face resumed its usual placidity.

“Well then.” Padgett nudged the groaning man with her foot. “Time to investigate, non?”

#

Read the rest in the forthcoming SISTERHOOD OF THE BLADE anthology (on Kickstarter now)!

 

The Demons that Haunt Us

Question from a reader: Lady Vengeance is always fighting demons, but she never kills them–just sends them away, usually with promises to return and avenge themselves. 

Why do the demons always get away?

Mechanically:

1) Because demons are really hard to banish, much less actually kill. All but impossible, really.

But really:

2) The demons are a metaphor for Lady V’s past traumas, continually coming back to haunt her. At best, we can push our pain and mistakes and regret away for a while, but they’re always there–always coming back to haunt us. 

Baggage we can’t leave behind.

Check out the story in question: “Baggage,” in the https://www.amazon.com/Shadowed-Souls-Jim-Butcher/dp/0451474996